Contact us at your earliest convenience to schedule a lesson, and entrust your pianistic development to instructors who are also experienced concert piansits. If becoming a confident and accomplished collaborative pianist is your goal, the London Piano Centre can help you. You are there to help support their frame of mind.
Some performers enjoy chatting to stay loose – others prefer silence. This is your way of knowing that they are anxious, and you are there to help calm them down. For instance, a nervous vocalist may ask to run through a few sections ad nauseum before an audition, or an instrumentalist may feel the urge to tune his or her instrument more than is necessary.
You may even find that you are more than a collaborative musician under various circumstances. Familiarity makes communication much more natural. As said before, communication is so important between a soloist and their accompanist. When there is mutual respect, the entire process is much more relaxed.
#Piano accompanist needed professional#
There is nothing more stressful to a performer than their accompanist showing up late or not at all! Get To Know the People You’re Playing ForĬreate a professional and well-grounded relationship with the vocalist or musician you’re accompanying. Make sure you’re always on time, if not early. Another important thing is to be reliable. Plan your schedule accordingly and communicate with your performer. When performing for competitions or in an academic setting, times are changed and you could be called at any moment to play. You need to understand that as an accompanist, your schedule is tentative. Collaborative Pianists Must be Flexible and Reliable You then are able to anticipate what is coming and aren’t caught by surprise when you play with the ensemble. Look for things like the melody switching between parts or where the tempo changes. Understanding the piece as a whole helps you interpret your part accurately. That way you can capitalize on the time you’re working together. Learn their music and become familiar with the ensemble outside of the allotted practice sessions. You are a partner in the endeavor of making music with whoever has hired you.
#Piano accompanist needed plus#
You Must Understand the Other Musician’s Music Plus Your Own Remember, you are not the centerpiece of this performance it’s your job to frame the vocalist or instrumentalist’s performance. Talk about phrasing and cut-offs to ensure you are feeling them together. Determine the initial tempo and temp changes throughout the piece. Ask the soloist where they’re breathing so you can mark it in your score. To successfully perform with other musicians, communication is key. We’ve all heard piano soloists push and pull the tempo to dramatic effect, but if you accompany a vocalist that way, you’ll never get hired again. Once you’ve familiarized yourself with enough vocal and instrumental repertoire you realize you’re not sight reading after all. Be sure to sight read accompaniments and to become familiar with well-known vocal/instrumental pieces. Pick a different genre or format each time. Play a few accompaniments from a book of Italian love songs. Open your favorite book of Chopin Nocturnes and play one you haven’t worked on yet. Incorporating sight reading into your everyday piano practise conditions your brain and fingers to read and play unfamiliar notes. Sight reading is a developed skill, just like anything else in music. Being able to read and “learn” music in a short amount of time will make you indispensable and get you hired. It gives you the ability to utilize the valuable time you have with the soloist or group you are working with.Īnother reason sight reading is a valuable asset to accompanists is that you are going to run into situations where your skill-set is needed at the last minute. When an accompanist is able to read and play unfamiliar music with relative ease there is much more freedom in practice sessions. Sight reading is something that musicians either love or hate, and whether your relationship with sight reading is friendly or combative, as a collaborative pianist, you must become proficient.
Good Piano Accompanists Must Be Excellent Sight Readers Keep these tips in mind if you’re interested in pursuing a career (or a few gigs here and there) as a collaborative pianist, and of course, if you would like expert piano lessons in London at the London Piano Centre, we would love to hear from you. Regardless of the genre or setting, there are useful skills to be learned through accompanying. And the styles could vary from classical to pop. You may work with solo vocalists or instrumental groups. Experience matters for pianists, and one great money-making way of getting experience is accompanying or collaborative piano work.
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